THE VALIDATION JUNKY





DEVELOPED WITH PRAKSIS OSLO AND RAM GALLERY

THE VALIDATION JUNKY is an ongoing research-led art project that investigates how identity, desirability, and the body are shaped and increasingly codified by digital infrastructures.

In an age where over 60% of the global population actively use social media (Statista, 2023), algorithmic systems continuously reconstruct subjectivity through data loops, platform feedback, and the commodification of the self. At the same time, rapid developments in AI and biotechnology, often driven by corporate agendas, are transforming the human body far ahead of regulatory frameworks. THE VALIDATION JUNKY continues to expand through interdisciplinary formats, blending critical design, systems thinking, and speculative fiction, while centring LGBTQIA+ perspectives in discussions around mental health, technological development, and digital governance. It calls for alternative imaginaries and infrastructures that challenge normative optimisation and advocate for more plural, inclusive futures.
 
Keywords - Artificial Intelligence, Bio-Technology, CRISPR-Cas9, Gene Editing, Metaverse, New Media, Post-Ontology, Transhumanism


THE VALIDATION JUNKY Installation 

RAM Galleri Oslo, 2023
Photo Credit - Peacock/RAM

VALIDERINGSSØPPELET [detail]

VALIDERINGSSØPPELET is a large-scale architectural drawing exploring the ontological effects of AI, new media, and genetic editing on identity construction

Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM


VALIDERINGSSØPPELET [detail]
Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM

VALIDERINGSSØPPELET [detail]
Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM

VALIDERINGSSØPPELET [detail]
Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM


VALIDERINGSSØPPELET [detail]
Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM
VALIDERINGSSØPPELET [detail]
Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM

VALIDERINGSSØPPELET [detail]
Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM

VALIDERINGSSØPPELET [detail]
Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM

VALIDERINGSSØPPELET [detail]
Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM


VALIDERINGSSØPPELET [detail]

Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM


VALIDERINGSSØPPELET [detail
Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM

VALIDERINGSSØPPELET [detail]
Digitally-drawn giclee print on Hahnemühle Photo Rag Installation of nine frames, 332(h) x 242 (w)cm
1 of 1. Oslo, 2023
Photo Credit - Peacock/RAM


PERFECTION / SPECULATION at The Vigeland Museum

A central component of the project, PERFECTION / SPECULATION at the Vigeland Museum, features a series of interviews staged at the museum with thinkers from the fields of speculative design, media theory, and bioethics, including Natasha Vita-More, Mark Jarzombek, Lev Manovich, and Lucy McRae. These dialogues unfold amidst Vigeland’s canonical sculptures, reflecting how both normative and non-normative bodies have always been shaped by inherited visual cultures and emerging technological ideals.

Multi-Channel Moving Image 15:00 Mins, Variable Dimensions Oslo, 2023
Photo Credit - PAH foto/Peacock/RAM








PERFECTION / SPECULATION IDENTITY MAP

The research was developed in collaboration with The Vigeland Museum, queer live programming initiative Karmaklubb*, and fellow residents of the PRAKSIS programme, whose co-developed interview questions mapped out a collective inquiry into the cultural, psychological, and political implications of body optimisation. A fold-out IDENTITY MAP publication accompanies the project, juxtaposing speculative future-body prototypes with theoretical insights, bridging past artistic legacies with speculative futures.

Double Sided A1 Map
Folding into 297 (h) x 105 (w) Oslo, 2023
Photo Credit - Peacock/RAM











“It has transcended the modern critique of the Kardashians—that we often see them as being fake, or being a symptom of a certain type of malaise. When in reality, the post-digital sees all people like that: for the post-digital, we’re all Kardashians.”

Mark Jarzombek (USA) is a Professor of the History and Theory of Architecture, Massachusetts Institute of Technology (MIT)

“In psychological terms beauty is homoeostasis, so I would never want to be a perfect person or perfect being because if so, then I’d have no place to go.”


Natasha Vita-More (USA) is the Executive Director of Humanity+ Inc., Founder of H+ Lab, Author of The Transhumanist Manifesto, and designer of Primo Posthuman.



“I think that one of the beauties of speculation is that you can prototype and map out scientific “what ifs” and ask questions. What if this happens? Do we want it?”

Lucy McRae (UK/AUS) is a science fiction artist, filmmaker, inventor and body architect. She is a Visiting Professor at the Southern California Institute of Architecture (SCI_ARC)


“However, maybe we shouldn’t blame the algorithms, because people basically copy each other, don’t they? Very few people are original; maybe one in a million. Most people don’t have time to carve out their own path, or they aren’t brave enough to think for themselves— so they copy one other.”


Lev Manovich (RU) is the Presidential Professor at the Graduate Centre, City University of New York (CUNY), and Founder and Director of the Cultural Analytics Lab








PERFECTION / SPECULATION IDENTITY MAP [Future Body Prototype Sketches]
Double Sided A1 Map Folding into 297 (h) x 105 (w)
Oslo, 2023
Photo Credit - Peacock/PRAKSIS


WE ARE WHAT THE INTERNET MAKES US - I

WE ARE WHAT THE INTERNET MAKES US is a series of digital sculptures, each animated to blink, breathe, and twitch with a lifelike presence. Over the course of ten minutes, each character undergoes a gradual transformation, morphing into five distinct ideological representations of an idealised or “perfected” self, presented as an experimental exercise in sculptural digital bodybuilding.
Developed using human models and enhanced through post-production techniques, the characters engage the viewer directly, locking eyes with the camera in a way that evokes Masahiro Mori’s concept of the Uncanny Valley—the psychological space where the line between a healthy human and a robot blurs, unsettling the viewer’s perception. This installation raises critical questions: Who might you become if you could design yourself in any conceivable way? How does new media shape our self-perception, and what roles do society and technology play in this ongoing process of self-mediation? WE ARE WHAT THE INTERNET MAKES US invites viewers to contemplate the intersection of technology, identity, and the human form, challenging the boundaries of how we see ourselves in the digital age.

4k Digital Sculpture Moving Image 10 mins
1 of 5. London, 2023
Photo Credit - Peacock/RAM















WE ARE WHAT THE INTERNET MAKES US - I, II, IV
4k Digital Sculpture Moving Image 10 mins
1 of 5. London, 2023
Photo Credit -PAH foto/Peacock/RAM











VALIDATION SKETCH I

Digitally-drawn giclee print and pencil on Hahnemühle Photo Rag
29(h) x 42(w) cm. 1 of 1. Oslo, 2023
Photo Credit -Peacock



VALIDATION SKETCH II

Digitally-drawn giclee print and pencil on Hahnemühle Photo Rag
29(h) x 42(w) cm. 1 of 1. Oslo, 2023
Photo Credit -Peacock









PERFECTION / SPECULATION at The Vigeland Museum
Multi-Channel Moving Image 15:00 Mins, Oslo 2023








THE VALIDATION JUNKY 
PRAKSIS X RAM
Dedicated to Daniel Slotvik 1989-2023
Creative Director, Adam Peacock


VALIDERINGSSØPPELET
Drawing, Adam Peacock
Production, PRAKSIS

PERFECTION / SPECULATION at The Vigeland Museum
Creative Direction & Concept, Adam Peacock
Production, PRAKSIS
Research Agenda Lead, Adam Peacock
Research Agenda Questions, Marte Aas, Jonathan Armour, Louis Alderson-Bythell, Trinley Dorje,  Adam Peacock, Erika Stöckel, Bobby Yu Shuk Pui
Interviewees, Lucy McRae, Lev Manovich, Mark Jarzombek, Natasha Vita-More
Interviewer, Adam Peacock
Videography, Katharina Gellein Viken, Charles Kriel
Edit, Adam Peacock Studios
Location, The Vigeland Museum
Production Assistant, Bobby Yu Shuk Pui

PERFECTION / SPECULATION IDENTITY MAP
Document Design & Concept, Adam Peacock Studios
Production, PRAKSIS
Copy Edit, Adam Peacock, Rachel Withers
Research Agenda Lead, Adam Peacock
Research Agenda Question Development, Marte Aas, Jonathan Armour, Louis Alderson-Bythell, Trinley Dorje,  Adam Peacock, Erika Stöckel, Bobby Yu Shuk Pui
Research Visits, BioArt arena in Norway (NOBA), Bioteknologirådet (The Norwegian Biotechnology Advisory Board), Henie Onstad Kunstsenter, Henry Moore Foundation, Menneskeverd (Human Dignity)
Online / In-Person Research Presentations, Department of Archaeology Human Evolutionary Studies University of Cambridge, NFU - Norsk Forbund for Utviklingshemmede (The Norwegian Association for Persons with Intellectual Disabilities), Kreftforeningen (Norwegian Cancer Society), Norwegian University of Science and Technology (NTNU)
Printing, Nilz & Otto Grafisk

WE ARE WHAT THE INTERNET MAKES US I, II, IV
Creative Direction & Concept, Adam Peacock
Photography, Lighting, Styling, Post-Production, Adam Peacock
Makeup and Prosthetics, Tamara Dickson-Jones
Production Assistants, Celia Tang, Dian-Jen Lin, Isabela Branca Gygax, Lara Gill
Model,  I, Wing Yue Leung
Model,  II, Hermione Fallon Callow
Model,  IV, Thomas Wade Nichols

SELECTED PROJECT ENGAGEMENT
 2023, [We Are What The Internet Makes Us, Character I], Exhibited at Royal Scottish Academy, Edinburgh, Scotland
2023, [VALIDERINGSØPPELET], [We Are What The Internet Makes Us, Character I, II, IV] , Exhibited at RAM Gallery, Oslo, Norway
2023, [Full exhibition], Feature by Kunstavisen (The Art Newspaper), Oslo, Norway
2023, [Full exhibition], Feature by CLOT Magazine, London, UK
2024, [VALIDERINGSØPPELET] Shortlisted for Lumen Prize, Still Image Category, Lumen Studios London
2024, [VALIDERINGSØPPELET] Shortlisted for Lumen Prize, Carla Rapoport Award, Lumen Studios London


Exhibited at, Ram Galleri, Oslo Norway
Supported by Oslo Kommune, Kulturdirektoratet 

With thanks to  Nicholas John Jones, Kristian Schrøder
Ashley Austin, Carlos Pez, Chris Lynch, John Duff, Matthias Reichert, William Ainsley, Wei Hen Yui


Please click here for the press release PDF